The
Haigs |
periode
1965 -1968 |
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Een van
de exponenten van de bloeiende Haagse beatscene in de jaren '60. The Haigs
gaan vooral de geschiedenis in als de band waar de latere Golden Earring-zanger
Barry Hay (kort) deel van uit-maakt. |
bezetting |
Jaap Rog
gitaar, zang
Wim Betlem gitaar
Frank van Leijen mondharmonica, zang
Ed van de Sande basgitaar
Jan Timmerman drums |
overige muzikanten |
Barry
Hay fluit, gitaar, zang
Bart Terlaak drums
Rob van der Zwan gitaar
Paul van Melzen basgitaar
Jaap Mossel drums
Albert van de Oever zang |
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genre |
beat |
discography |
1966 Never
die / That's the way she is Funckler DB 45184 E 60
1966 Separated / Where to run Funckler DB 45224 E 60
1967 From now on / Hey baby Polydor S 1220 E 60
1967 Another saturday night / You've got it Polydor S 1230 E 50
1968 Roly Poly Martha / Out of life Polydor S 1254 E 35 |
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biografie
1963 |
The Haigs
ontstaan uit de resten van de Haagse beat-groep The Entertainers. De groep
bestaat uit Betlem, Van Leijen, Jaap Rog, Van De Sande en Timmerman. |
1965 |
De eerste
single Never Die en de B-kant That’s The Way She Is zijn beiden geschreven
door Jaap Rog. De populariteit van de beatgroep verdwijnt snel vanwege alcoholmisbruik
van de bandleden met name bij zanger en gezicht van de groep Frank van Leijen
(hij zal jaren later aan de gevolgen van de drank al op 39-jarige leeftijd
overlijden). The Haigs worden in populariteit voorbijgestreefd door Nederlandse
beatbands als The Golden Earrings, Q65 en The Motions. |
1966 |
Van de
originele bezetting blijft weinig meer over. Jaap Rog en Ed van de Sande
studeren af aan de TU te Delft, Wim Betlem en Jan Timmerman pikken hun dagelijkse
baantje weer op. Barry Hay (ex-Don't) speelt ook nog even in The Haigs net
als Rob van der Zwan, Paul van Melzen en Bart Terlaak |
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Don't (1964-1965) - Dihl Bennink (gitaar); Barry Hay (zang, gitaar); Jan van Rheenen (bas); Wim van de Willigen (drums) |
1967 |
Barry
Hay vertrekt naar The Golden Earrings en wordt vervangen door Albert van
de Oever. Bart Terlaak vertrekt naar Daddy's Act en wordt vervangen door
Jaap Mossel (ex-In-Crowd). Hans Jansen (toetsen, ex-Jay-Jays) voegt zich
bij de band. Via Polydor komen de singles From Now On en Another Saturday
Night uit. |
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1968 |
Na een
laatste single - Roly Poly Martha - valt The Haigs uit elkaar. Paul van
Melzen vertrekt naar The Motions, Rob van der Zwan naar Big Wheel, Hans
Jansen naar The Swinging Soul Machine en Jaap Mossel naar Mailer McKenzie
Band. |
Liner
notes
(from an article in Dutch
Kink Magazine, 1967): |
“Dutch pop is as dead as a doornail and it’s
our own fault”. “Dutch top outfits, compared to English bands,
are third rate at most”.
Such statements were uttered before, yet this time around they came up
during a conversation with some Beat musicians themselves and that happens
less often. The Haigs, who are close to reaching the Top 40 with the Sam
Cooke song “Saturday night”, visited the editorial office
of “Kink” magazine and turned out to be very modest guys with
a totally down-to-earth view on their own way of living.
“Was a new sound ever brought forth by Dutch pop” asked Paul
van Melzen, their bassist (formerly with the Mack), heavy sideburns ‘n
all and he gave the answer himself: “No, never, it’s just
nice melodies, tunes, what we make here. Name any given top outfit, say
the [Golden] Earrings. What did they make? A whole lp with just tunes”.
Rhythm/solo guitarist Rob van der Zwam jumps in: “We really don’t
want to exclude ourselves: we’re going down a blind alley ourselves
as well. Sometimes, after a night’s work, we hardly know, whether
we played or not: everything went automatically”.
Drummer Jaap Mossel: “There’s a lot of complaints about audiences:
they’re so lame, so un-interested. But the Beat groups themselves
are to blame, really. WE should come up with something new, something
has to HAPPEN on stage”.
Rob van der Zwam is the only surviving member of the original Haigs. Last
year [1966] they released the outstanding, yet not very successful 45
“Never die”. Shortly after the group died, due to ever increasing
alcohol consumption. Teetotaler van der Zwam remembers with a wry face:
“We had three crates of beer in our van. By the time we arrived
at the venue those were empty. Sometimes the band were too plastered to
climb upon the stage”. So things didn’t work out for the band,
formerly known as the Entertainers and for some time The Hague’s
top outfit, next to the Golden Earrings. The Haigs came to an inglorious
finale. Rob’s former colleagues are now students at the Technical
University in Delft.
After a few months of “reflection” Rob put together a new
band. After a lot of deliberation and in spite of the unfavorable ring
it had with venue owners, the name the Haigs was maintained.
The new line-up (completed by singer Barry Hay) recorded “From now
on”. It didn’t reach the Top 40 but the guys at Veronica [Dutch
pirate radio station, broadcasting from a ship on the North Sea] liked
it and played it a lot so the Haigs’ market value went up considerably
anyway.
“Saturday night (and I ain’t got nobody)”, their latest
45, is a good song, but should still be ranked under “nice tunes”.
So what are the Haigs actually doing, to put an end to the pop-rut they
complain about so much themselves?
Rob: “Well, “Saturday night” is just another great sing-along-song,
that goes down well with live audiences. We DID want to do something different,
but Polydor isn’t too keen on experiments. Those guys first look
at the commercial side. We’re really working hard on our own sound,
processing influences of the Cream, Jimi Hendrix, the Butterfield Blues
Band and so on, into something that’s our own”.
Paul: “Once you start making music you like, you will naturally
put on a good show, ‘cause you can feel into that sound, convey
it to the audience. If you have to scamp through Top 40 material, you
can hardly put on a raw show, as it will get un-genuine. But a guy like
Hendrix is totally comfortable in his act, he turns himself on with his
sound, that’s how it should be done, really”.
Jaap: “Which Dutch group really has something like a stage-act?
Maybe the Tee Set, lately. I heard they give it quite a go, especially
the English guy. But there you have it: it’s not until an English
guy joins a band, before they dare do something like that. The Q65 do
well on stage as well, I think. They have personality, really like ‘Audience,
I’m expecting you’, they’re really impressive. But for
the rest it’s just lameness on stage, whether you see the Motions
or some band from the country-side who just started: a bit of shaking
on stage, that’s all”.
We have to do without singer Barry Hay’s comments. He didn’t
come along and for reason: he’s to join the Mack soon and is followed
up by Jack, now singer/guitarist of the Moody Sec, a band with two Negro-girls,
who are hittin’ it big right now in The Hague and surroundings.
Ron enthusiastically states: “Jack is just the person we need right
now. He’s a true fanatic, completely obsessed with music. If he
talks to you shiver go up and down you spine. He’s a very special
guy. Lately he was on stage, crying with emotion and the girls in the
audience started crying as well. Hey! That’s the way we should be
heading: the audience should be participating again”.
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Hitweek
18 mei 1967 |
Dit zijn de Haigs die hun nieuwste singel even kwamen
aanbieden op de hitburelen. “De opnamen voor deze singel vonden
al ‘n maand geleden plaats, maar Polydor is niet zo vlot. De vorige
singel From now on liep niet. Te moeilijk waarschijnlijk. Was evenals
de laatste opgenomen in Phonogramstudioos met Jan Audier achter de knoppen.
Produktie Fred Haaijen. Titels :Saturday night en You’ve got it.
De volgende singel wordt waarschijnlijk in de Soundpush opgenomen. Er
zijn bij de Haigs plannen om de bezetting te veranderen, maar beslist
geen toeters (saxen en trompetten). Toeters vinden we uit de tijd. Vooral
geen Jongbloed en Schoonderwalt toeters.”
Radio Veronica. “Ja, als dat wetsontwerp er door komt zouden ze
weg moeten. Maar ze houden vast niet zomaar op. Trouwens als Veronica
stopt maken de Heikrekels toch geen enkele hit meer en dat kan niet hoor.
Enne… Hilversum 3 de taak overnemen die Veronica nu heeft ? “
Hahaha. “
Radio in ‘t algemeen. “Nou, live-uitzendingen doen we niet
want ze kunnen hier niet weergeven. We willen niet meer live voor de radio.”
Internationaal. “Wij gaan ook niet zoals de Motions internationaal
uitbrengen. Er zijn hier evenveel kansen als in ‘t buitenland. En
in Engeland hangen ze ontzettend aan hun eigen artiesten.”
HW’s Koos Zwart heeft de plaat gedraaid en vindt vooral de b-side
(waarom ? ) zeer opmerkelijk. Het is een Haigs-kompositie. Die jongesn
kunnen het wel. Alhoewel ze met open monden geluisterd hebben naar Lazy
fat people van de Barron Knights.
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GEM
Research © 2006
bron: Nederlands Popinstituut e.a. |
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